[B617.Ebook] PDF Ebook Metal 98: Proceedings of the International Conference on Metals Conservation, Draguignan, France, May 1998From Earthscan Publications Lt

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Following the success of previous triennial meetings, the ICOM-CC Metals Working Group again organized a conference to discuss progress on the conservation of metals. Held in Figanires-Draguignan, France in May 1998, over 70 papers were presented at the meeting. They reported on a wide range of techniques and materials, objects and locations.

The Proceedings contain an edited selection of 60 of the best papers from the meeting. They represent a significant update to the understanding of this important field of conservation science and cover a full range of topics including:

* metals and cultural heritage
* characterization and properties of metals
* soil and corrosion
* corrosion products and deterioration processes
* conservation and restoration interventions
* protection of metals in both indoor and outdoor environments

The volume will be essential reading for all those whose work involves the conservation of metal objects or structures. It will be a valuable addition to any collections covering wider aspects of conservation in museums, architecture or archaeology and also of interest to all those involved with metallurgy and the degradation of materials.

• Sales Rank: #9536261 in Books
• Published on: 1999-01
• Original language: English
• Number of items: 1
• Dimensions: 11.65" h x .83" w x 8.19" l, .0 pounds
• Binding: Paperback
• 352 pages

About the Author
William Mourey is head of the Conservation, Restoration and Research Laboratory at the Archaeological Research Centre of CNRS and director of the Centre Archeologique du Var, Draguignan, France.

Luc Robbiola is a scientist at the Laboratory of Structural Metallurgy (CNRS-CECM) and is head of the Electron Microscopy Unit at the Ecole Nationale Superieure de Chimie, Paris, France.

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[U404.Ebook] PDF Ebook Human Communication, by Paul Nelson, Scott Titsworth, Lynn Harter, Stewart Tubbs and Sylvia Moss Judy Pearson

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• Sales Rank: #7141259 in Books
• Published on: 2003
• Binding: Paperback

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This revealing account deals not only with those giant figures who perpetrated takeovers, but also with other featured players: investment bankers, attorneys, and arbitrageurs.

• Sales Rank: #1755400 in Books
• Published on: 1987-01
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 240 pages

From the Publisher
"The Titans of Takeover" tells the story of corporate raiders--the men in the 1980s who discovered great financial opportunities in seizing control of someone else's business, often at bargain prices. Profiled in these pages are such leading figures in the American takeover field as T. Boone Pickens, Carl Icahn, Saul Steinberg, and Ted Turner.

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One of the pieces to the puzzle.
By Anthony Toupuissant
This book chronicles the merger wave during the mid seventies to the late eighties. The book looks not only at the raiders, but also at other featured players in the takeover game: the investment bankers, attorneys, and arbitragers, considered the main personalities in the takeover game. You will find many figures depicted in this book.

Author Robert Slater was able to bring these players to life with inside descriptions of their lives. Profiled in these pages are the leading figures in the American takeover field. Titans like T. Boone Pickens, Carl Icahn, Saul Steinberg, and Ted Turner. As well as such behind the scenes personalities as lawyers Martin Lipton and Joseph Flom. Investment bankers Joseph Perella and Bruce Wasserstein, famous for staying in the game, gained notoriety by going after clients even after they committed to someone else.

A special chapter is dedicated to zooming in on the infamous arbitrager, Ivan Boesky. Who later on in the book clarifies the difference between a raider and an arbitrager by concluding that raiders are not arbitragers, they are party principles seeking control of companies, as opposed to impartial stock market operators, such as his self , who are basically interested in a spread as the reward.

Raiders who understand the takeover game realized the sum total of certain companies were worth less than its parts and believed that a company could not enrich itself from a lawsuit; it should only emerge whole. With this so-called credo, they found a reason to keep management on its toes. Out of this audacity and growing phenomenon, management and company boards employed a whole series of defensive tactics, ranging from the poison pill to the highly popular leveraged buyout. Nevertheless, the raiders seemed to know better. Each effort has its own problems, its own solutions. A raider who made a cash offer with an enticing premium knew that stockholders were not going to let a board of directors get in the way of making good money.

Aside from stepping over a few minor inconsistencies in historical content, this book will undeniably arouse your attention.

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Biopics on artists influence the popular perception of artists' lives and work. Projected Art History highlights the narrative structure and images created in the film genre of biopics, in which an artist's life is being dramatized and embodied by an actor. Concentrating on the two case studies, Basquiat (1996) and Pollock (2000), the book also discusses larger issues at play, such as how postwar American art history is being mediated for mass consumption.

This book bridges a gap between art history, film studies and popular culture by investigating how the film genre of biopics adapts written biographies. It identifies the functionality of the biopic genre and explores its implication for a popular art history that is projected on the big screen for a mass audience.

• Sales Rank: #3048827 in Books
• Published on: 2015-11-19
• Released on: 2015-11-19
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.00" w x 5.50" l, .94 pounds
• Binding: Paperback
• 368 pages

Review

“There is a wide divide between the lives of artists and movies about those artist that can seem impossible to span. Ms. Berger lifts up all the rocks and shows us what's underneath - it's not always predictable or pretty but it's certainly revealing.” ―Ed Ruscha, Artist

“With Projected Art History, Doris Berger brings critical attention to a film genre that powerfully shapes cultural attitudes about artistic production but has been largely unacknowledged in the disciplines of art history and film studies. Artist biopics reinforce myths about artistic creativity, elevating the typically male painter's struggle and genius. Berger skillfully analyses two paradigmatic examples, Pollock (2000, dir. Ed Harris) and Basquiat (1996, dir. Julian Schnabel), enriching her account with research-based insights about their production and reception. Projected Art History makes a strong contribution to the still-limited literature on an important form of popular art history, adding nuance to our understanding of celebrity as constructed in both film and art.” ―Britt Salvesen, Curator, Wallis Annenberg Photography Department and Prints and Drawings Department, Los Angeles County Museum of Art

“At a time when the “high” and “low' of culture seems reoriented to “digital” and “analogue”, Berger's Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art points directly to the center of why, and how, the history of art matters to our culture. With a popular lens onto big-budget films, like Pollock, she grounds the intersection of real art and artists with film; the medium through which many are brought into the discipline. Exhaustively researched and engagingly written, Berger thoughtfully reminds the academy (art and film historians alike) to pay attention to its viewing public.” ―Courtney J. Martin, Assistant Professor of History of Art & Architecture, Brown University, USA

About the Author
Doris Berger is the Exhibitions Curator at the Academy Museum in Los Angeles, USA. She was formerly a curator at the Skirball Cultural Center, a postdoctoral fellow at the Getty Research Institute in Los Angeles and the director of the Kunstverein Wolfsburg, Germany. Her practice includes writing, teaching, curatorial and audiovisual work focusing on intersections of art and film in modern and contemporary American and European art.

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