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The Metamorphosis and Other Stories (Dover Thrift Editions), by Franz Kafka
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Since his death in 1924, Kafka has come to be regarded as one of the greatest modern writers, one whose work brilliantly explores the anxiety, futility, and complexity of modern life. The precision and clarity of Kafka's style, its powerful symbolism, and his existential exploration of the human condition have given his work universal significance.
In addition to the title selection, considered by many critics Kafka's most perfect work, this collection includes "The Judgment," "In the Penal Colony," "A Country Doctor," and "A Report to an Academy." Stanley Appelbaum has provided excellent new English translation of the stories and a brief Note placing them within Kafka's oeuvre.
A selection of the Common Core State Standards Initiative.
- Sales Rank: #36263 in Books
- Color: Green
- Brand: Dover Publications Inc.
- Published on: 1996-04-12
- Released on: 1996-04-12
- Original language: German
- Number of items: 1
- Dimensions: 8.22" h x .26" w x 5.22" l, .19 pounds
- Binding: Paperback
- 96 pages
From Publishers Weekly
Kuper has adapted short works by Kafka into comics before, but here he tackles the most famous one of all: the jet-black comedy that ensues after the luckless Gregor Samsa turns into a gigantic bug. The story loses a bit in translation (and the typeset text looks awkward in the context of Kuper's distinctly handmade drawings). A lot of the humor in the original comes from the way Kafka plays the story's absurdities absolutely deadpan, and the visuals oversell the joke, especially since Kuper draws all the human characters as broad caricatures. Even so, he works up a suitably creepy frisson, mostly thanks to his drawing style. Executed on scratchboard, it's a jittery, woodcut-inspired mass of sharp angles that owes a debt to both Frans Masereel (a Belgian woodcut artist who worked around Kafka's time) and MAD magazine's Will Elder. The knotty walls and floors of the Samsas' house look like they're about to dissolve into dust. In the book's best moments, Kuper lets his unerring design sense and command of visual shorthand carry the story. The jagged forms on the huge insect's belly are mirrored by folds in business clothes; thinking about the debt his parents owe his employer, Gregor imagines his insectoid body turning into money slipping through an hourglass. Every thing and person in this Metamorphosis seems silhouetted and carved, an effect that meshes neatly with Kafka's sense of nightmarish unreality.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Gregor Samsa wakes up and discovers he has been changed into a giant cockroach. Thus begins "The Metamorphosis," and Kuper translates this story masterfully with his scratchboard illustrations. The text is more spare, but the visuals are so strongly rendered that little of the original is changed or omitted. Though the story remains set in Kafka's time, Kuper has added some present-day touches, such as fast-food restaurants, that do not detract from the tale. He has used the medium creatively, employing unusual perspectives and panel shapes, and text that even crawls on the walls and ceilings, as Gregor does. The roach has an insect body but human facial expressions. Once he is pelted with the apple, readers can watch his rapid decline, as his body becomes more wizened and his face more gaunt. This is a faithful rendition rather than an illustrated abridgment.
Jamie Watson, Enoch Pratt Free Library, Baltimore
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Kuper follows his adaptations of shorter Kafka stories (Give It Up!, 1995) with one of the author's most renowned works, the tale of Gregor Samsa, who wakes one morning to find himself transformed into a giant insect. Gregor's plight, his growing alienation from his horrified family, and his gradual acceptance of the metamorphosis have come to be viewed as the quintessential symbolic depiction of modern existence. Against all expectations, Kuper's cartoonish style doesn't throw off the story's balance by accentuating Kafka's black humor. Rather, Kuper's visual depiction of Gregor's agony and the family's cruelty toward him points up what is disturbing in the tale, and the portrayal of Gregor's physical deterioration is truly harrowing. Moreover, Kuper's signature scratchboard technique, which resembles traditional woodcut style, suits the story's period, while his lively, expressive drawing lends contemporary vitality. Remaining faithful to its literary origin, Kuper thoroughly inhabits the tale, making his realization a genuine work of posthumous collaboration. The result is a Classics Illustrated with class. Gordon Flagg
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
What a fine piece of world literature
By S. Roberts
Wow. What a fine piece of world literature. Story is grim, gripping, tautly written with tension mounting page after page. Crucial that reader understand Kafka's personal history/background, that particular era in Europe, as well as the intellectual influences that shaped Kafka as a young lawyer/writer. Influences include German realism, mysticism, Talmudic structure and logic, and French existentialism. Brilliantly imagined and I am so glad to have read it.
0 of 0 people found the following review helpful.
Strange and difficult
By Philip S Kruis
This has got to be one of the strangest books I've ever read. Is it a bad dream or is it the angst we all feel over our misdeeds. There were times I wanted to stop reading because it didn't seem to make sense. Now I'm quite sure it is not supposed to make sense. I'm not sure I would recommend this book to anyone a although the writing has a certain sort of genius to it. The book certainly evokes a number of feelings we don't normally like feeling.
0 of 0 people found the following review helpful.
If you love Hesse, you'll love this
By Accidental Warmonger
I read it because it's a classic and I try to read a couple of year. The free Kindle version is not well-edited, which is a bit distracting (but what do you expect for free?). Having read Hesse in my younger days, I should have known what I was getting in early 20th century central European fiction. If you love Hesse, you'll love this. Unfortunately, I don't.
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